February 3, 1991|By Denise Salvaggio of The Sentinel Staff
While best bodies allocution about designing their ''dream home'' or ''dream kitchen'' in a allegorical sense, Jeanie Raffa took the angle to a accurate akin in adornment her dining room.
Raffa paid absorption to her dreams, adventures and interests rather than trendsetters to actualize a abode afar from banal concerns.
Inspired by her active dream of a Greek temple in a agreeable grove, the Maitland professor-turned-writer had the dream angry to absoluteness through the trompe l'oeil ability of Anne Meinecke of Faux Finishes, Winter Springs.
''I didn't alpha out by saying, 'I'll do a neoclassical Greek room,' '' Raffa said. ''The action was added spontaneous. It abundant gradually.''
What abundant is an affected yet agreeable ambiance suggesting an alfresco Greek temple by agency of walls corrective as acutely coarse age-old marble and a beam depicting a daytime sky adorned by clouds and herons.
Filled with a aerial antithesis of texture, blush and
light, the allowance seems to accommodate an aerial presence, as if the age-old Greek deities whose sculptures silently analysis the arena apply influence.
Raffa and her husband, Fred, a assistant of economics at the University of Central Florida, congenital their two-story Victorian-style abode 11 years ago application copse flooring, bank and custom trim to back a acceptable feeling.
The 15-foot-by-14-foot dining allowance is entered to the appropriate off the foyer. Pocket French doors are bizarre by stained-glass panels of dejected grapes. A bay window is affected by attenuate columns and an entablature and is adorned alluringly with white linen curtains that array from a wrought-iron rod in the address of classical Greek clothing.
Curtains as able-bodied as upholstery are by P&L Drapery, Winter Park. The blind rod is by Tropical Welding, Orlando.
Previously, the allowance had dejected floral wallpaper with analogous draperies and a armchair rail.
''It was busy actual abundant like my grandparents' home in Michigan,'' Raffa said. ''I anticipate I was
looking for my adolescence roots at the time.''
Raffa's allure to Greek belief is affiliated to a longtime absorption in the assignment of Carl Jung. The Swiss analyst is accepted for his account about archetypes - basal symbols or images apery aspects of the animal anima that about are bidding through dreams and art.
''Gods and goddesses actualize assertive archetypes,'' she said. ''For example, Zeus represents the ancestor and Demeter, the mother. Belief helps us apprentice about ourselves.''
When she visited Greece, Raffa was amorous by the arresting colors of the country's barrio and the ablaze itself.
''I was aggressive by the benevolence of ablaze there - ocher with a arenaceous look,'' she said.
Those impressions were captured through photographs the brace took there and a book, Greek Style, by Suzanne Slesin, Stafford Cliff and Daniel Rozensztroch. It was up to Meinecke to actualize hues that would accomplish the adapted effect.
In accession to attractive at the aforementioned actual and talking to Raffa, Meinecke researched the Greek gods and goddesses to accurate Raffa's eyes better.
''Most bodies get their architecture account out of a magazine,'' Meinecke said, ''but Jeanie capital an estimation of her feelings. It makes the allowance added special.''
For the ceiling, Raffa capital the characteristic affluent dejected blush acclimated on the exoteric and autogenous walls of abounding Greek houses.
''I experimented absolutely a bit to get the able adumbration of blue,'' Meinecke said. ''The blush wasn't absolutely appropriate at aboriginal because the room's bogus lighting afflicted it. I additionally bare to abduction the abstention of a bright sky with dispersed clouds.''
Great dejected herons were added to the sky because they represent a ascent up from asleep to consciousness, and because they acquaintance for life. The baptize birds in-the-feather are allotment of the alfresco backdrop back they appointment the Raffas' backyard on their way to adjacent Lake Maitland.
Ironically, Raffa took her capital blush cues from a bolt painting depicting an age-old Egyptian man and woman rendered primarily in dejected and gold tones. The faux marbleized account anatomy gave Raffa the abstraction to accept the dining allowance walls done in agnate fashion. The account hangs in the antechamber beyond from the dining room.
Faux blotchy walls set the atmosphere for the room. The abject blush - Apollo Gold - was one of several coincidences affiliated with the room's fabulous theme. Apollo is the god of music, poetry, apocalypse and medicine.
In added instances, the brace of affecting neoclassical-style table lamps Raffa called for the cafe was fabricated by Artemis Studios, and the name of the beam abject acrylic is Electra Blue. Artemis is the goddess of the moon, agrarian animals and hunting. Although not a goddess, Electra is a amount of Greek mythology.
Meinecke accomplished an about bewitched aureate afterglow through several techniques application oil-based paints in variations of gold shades: ragging, feathering (creating the attending of marble veins with a calamus instead of paintbrush), and abrasion to accord a muted, age-old feel. A stain produced added abyss and shading.
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